(Vocal Jazz, Contemporary) Rebecca Martin (feat. Larry Grenadier & Bill McHenry) - When I Was Long Ago {Sunnyside SSC1255, USA} - 2010, FLAC (image+.cue) lossless

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Darkman

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Darkman · 19-Авг-11 09:40 (7 лет 11 месяцев назад, ред. 05-Дек-11 08:47)

Rebecca Martin - When I Was Long Ago
Жанр: Vocal Jazz, Contemporary
Страна-производитель диска: USA
Год издания диска: 2010
Издатель (лейбл): Sunnyside Records
Номер по каталогу: SSC1255
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:46:21
Источник (релизер): собственный рип с оригинального CD (Darkman)
Наличие сканов в содержимом раздачи: да (полный комплект)
Треклист:
01. For All We Know (4:10)
02. But Not For Me (5:49)
03. Lush Life (5:42)
04. No Moon At All (4:37)
05. Charlie Sings... (0:36)
06. Cheer Up Charlie (2:57)
07. Low Key Lightly (Lucky In Love) (4:50)
08. Wrap Your Troubles In Dreams (2:54)
09. Someone To Watch Over Me (5:11)
10. I Didn't Know What Time It Was (4:03)
11. Willow Weep For Me (5:24)
http://www.rebeccamartin.com
http://www.myspace.com/rebbytunes
Personnel:
Rebecca Martin - Voice
Larry Grenadier - Bass
Bill McHenry - Tenor, Alto and Soprano Saxophones
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 17. August 2011, 15:55
Rebecca Martin / When I Was Long Ago
Used drive : HL-DT-STDVD-RAM GSA-H54N Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:10.65 | 0 | 18814
2 | 4:10.65 | 5:49.72 | 18815 | 45061
3 | 10:00.62 | 5:42.68 | 45062 | 70779
4 | 15:43.55 | 4:37.71 | 70780 | 91625
5 | 20:21.51 | 0:36.02 | 91626 | 94327
6 | 20:57.53 | 2:57.59 | 94328 | 107661
7 | 23:55.37 | 4:50.70 | 107662 | 129481
8 | 28:46.32 | 2:54.45 | 129482 | 142576
9 | 31:41.02 | 5:11.10 | 142577 | 165911
10 | 36:52.12 | 4:03.65 | 165912 | 184201
11 | 40:56.02 | 5:24.74 | 184202 | 208575
12 | 48:53.01 | 0:37.24 | 219976 | 222774
Range status and errors
Selected range
Filename C:\EAC\Rebecca Martin - When I Was Long Ago.wav
Peak level 99.8 %
Range quality 100.0 %
Test CRC 1156DFAB
Copy CRC 1156DFAB
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [57D5E993]
Track 2 accurately ripped (confidence 6) [2146F4AF]
Track 3 accurately ripped (confidence 6) [B7F669CC]
Track 4 accurately ripped (confidence 6) [F3F7A0F2]
Track 5 accurately ripped (confidence 6) [FAF64750]
Track 6 accurately ripped (confidence 6) [80381BA2]
Track 7 accurately ripped (confidence 6) [E4416142]
Track 8 accurately ripped (confidence 6) [5E158D6D]
Track 9 accurately ripped (confidence 6) [E2FC9034]
Track 10 accurately ripped (confidence 6) [FB34A681]
Track 11 accurately ripped (confidence 6) [0192B341]
All tracks accurately ripped
End of status report
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2010
REM DISCID 9B0B9A0C
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Rebecca Martin"
TITLE "When I Was Long Ago"
FILE "Rebecca Martin - When I Was Long Ago.flac" WAVE
TRACK 01 AUDIO
TITLE "For All We Know"
PERFORMER "Rebecca Martin"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "But Not For Me"
PERFORMER "Rebecca Martin"
INDEX 00 04:08:66
INDEX 01 04:10:65
TRACK 03 AUDIO
TITLE "Lush Life"
PERFORMER "Rebecca Martin"
INDEX 00 09:58:41
INDEX 01 10:00:62
TRACK 04 AUDIO
TITLE "No Moon At All"
PERFORMER "Rebecca Martin"
INDEX 00 15:39:16
INDEX 01 15:43:55
TRACK 05 AUDIO
TITLE "Charlie Sings"
PERFORMER "Rebecca Martin"
INDEX 00 20:20:29
INDEX 01 20:21:51
TRACK 06 AUDIO
TITLE "Cheer Up Charlie"
PERFORMER "Rebecca Martin"
INDEX 01 20:57:53
TRACK 07 AUDIO
TITLE "Low Key Lightly (Lucky In Love)"
PERFORMER "Rebecca Martin"
INDEX 00 23:52:48
INDEX 01 23:55:37
TRACK 08 AUDIO
TITLE "Wrap Your Troubles In Dreams)"
PERFORMER "Rebecca Martin"
INDEX 00 28:45:24
INDEX 01 28:46:32
TRACK 09 AUDIO
TITLE "Someone To Watch Over Me"
PERFORMER "Rebecca Martin"
INDEX 00 31:38:31
INDEX 01 31:41:02
TRACK 10 AUDIO
TITLE "I Didn't Know What Time It Was"
PERFORMER "Rebecca Martin"
INDEX 00 36:50:44
INDEX 01 36:52:12
TRACK 11 AUDIO
TITLE "Willow Weep For Me"
PERFORMER "Rebecca Martin"
INDEX 00 40:53:47
INDEX 01 40:56:02
Об альбоме
"This album features a great singer/songwriter - Rebecca Martin - who never takes the traditional route, even when she approaches songs like these that have been covered so many times before and by so many iconic performers.
Here she has put herself in the unique and quite sparse setting of just voice/bass/saxophone, with a minimalistic approach that is more about singing the song from INSIDE the song, rather than applying pyrotechnics and treating it mainly as an improvisatory vehicle. She reminds me of Johnny Hartman in her approach that way. Rebecca has dug up all the old verses to these songs - verses that were mostly lost or rarely performed when these songs became "standards". It's perhaps not surprising that it took as excellent a songwriter as Rebecca Martin to go back and approach them as SONGS again.
Here her chosen cast is bassist extraordinaire Larry Grenadier, primarily known today for being 1/3 of the Brad Mehldau Trio & co-leader of the trio Fly. But he is also a veteran of Joe Henderson's, Pat Metheny's and Stan Getz's bands (among countless others), and he manages to be an entire rhythm section on this album without ever playing a note too many.
Saxophonist Bill McHenry (who has been performing a lot with Paul Motian lately, as well as is a member of Guillermo Klein's magnificent orchestra Los Guachos), and who, himself, is a man who avoids cliches and overplayed Trane & Wayne licks, and who, therefore, in many ways is closer to Coltrane's spirit or, perhaps, to Lester Young & Ben Webster, in his approach to backing a singer.
Considering, again, the many icons that have sung these songs, and sung them with big bands, string sections or, at the very least, a piano to supply the harmony for the singer, it's a gamble for a singer to attempt versions in as "naked" a format as this. Rebecca Martin pulls it off with complete integrity, originality and considerable charm, and in a way that tells us that jazz-singing doesn't have to be confined to reinterpretation of the past."
Rebecca Martin est une artiste attachante, talentueuse et exigeante. Elle aurait pu suivre le parcours de tant d'autres chanteuses au carrefour d'une pop-folk parfumée de jazz, garantie d'un succès facile... Elle a choisi de s'orienter de plus en plus vers le jazz. Son dernier album sorti l'été dernier outre-Atlantique et qui devrait bientôt débarquer en Europe en est une preuve superbe. Un album, pour l'essentiel de reprises de vieux standards, dans laquelle sa voix est accompagnée uniquement par la contrebasse de Larry Grenadier et le saxophone de Bill McHenry. Un disque assez minimaliste et intimiste donc, mais chargé d'émotions qui vous accompagneront tout au long de l'écoute de l'album
Recommandé! Un grand merci à L4W3rZ, sans qui, vous ne seriez pas en train de lire ce post.
BIO
When I Was Long Ago (2010, Sunnyside Records)
As a singer-songwriter, Rebecca Martin enjoys a solid reputation among listeners and within the industry firmly built upon her instantly recognizable voice and numerous albums of original songs. Almost as notable as Martin’s singing and songwriting is her creative way in organizing sessions and live performances with some of the best musicians in music today.
So it’s no surprise that Martin’s last album, The Growing Season (2008, Sunnyside Records) featured notables such as guitarist Kurt Rosenwinkel, bassist Larry Grenadier, and drummer Brian Blade. The record garnered high praise and was selected as a critic’s pick in The New York Times. As a result of her unique abilities, Martin was invited to headline a full week at the Village Vanguard in New York City, a rare event, making her the first singer-songwriter to play in the legendary venue in more than 30 years. Most recently, Rebecca gained the attention of the Stanford Jazz Workshop and was invited to spearhead a songwriting program for their 2010 summer season.
But as strong as Martin is at crafting her own songs, her intimate take on standards is as unique. The Guardian commented, “….the young singer, Rebecca Martin, may even come to upstage Norah Jones and Madeleine Peyroux.” Martin’s eighth recording, with the enchanting title When I Was Long Ago (2010, Sunnyside Records), is a collection of eleven standards recorded in a most refreshing way.
“This particular concept began when I had the opportunity to work with Paul Motian,” Martin says, recalling the genesis of her new recording. “Suggesting that I sing songs without a chordal player was a challenge I couldn’t wait to try.” In November of 2005, while eight months pregnant, Martin had met up with Paul, Chris Potter and Larry Grenadier at Avatar studios in New York City to sing eight of the thirteen songs that would become Motian’s On Broadway Volume 4 or the Paradox of Continuity for Winter & Winter Records. She was the first singer ever to be asked by the drummer to join him on one of his record dates. They followed it up with several weeks at the Village Vanguard as well as a premiere at Carnegie Hall.
“I wanted to do a record of standards in a similar way with my trio that would feature bass and saxophone,” Martin explains. “I approached the music as a songwriter and searched for the first vocal performances of each to assure that the melodies, lyrics and harmony were intact and as close as possible to the author’s original intent. It’s an honor to sing a song that spans 75-plus years. I think of this as an ancestral project. Working with this intention brought new meaning to these old songs.”
When I Was Long Ago is a stellar and adventuresome album filled with classics, including “Lush Life,” “Someone To Watch Over Me,” and “But Not For Me” along with some obscure gems such as “Cheer Up Charlie,” “No Moon At All,” and “Kentucky Babe.” The record features tenor saxophonist Bill McHenry (Guillermo Klein / Paul Motian) and bassist Larry Grenadier (The Brad Mehldau Trio / Pat Metheny).
“I have wished to make a record live to two track while implementing older recording techniques which this recording gave me the chance to do,” Rebecca says. “It certainly pushes one to become a better singer and storyteller. There is nothing to hide behind and I like that.”
Recorded by legendary engineer James Farber and made at the Clubhouse Recording Studio in Rhinebeck, New York, everything was in place for the best possible results.
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Darkman

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Darkman · 05-Дек-11 08:48 (спустя 3 месяца 16 дней)

обложка востановлена))
deepofrain
ты ж вроде писал в этой теме: "Спасибо, интересно" .. - куда девался твой коммент?
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deepofrain

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deepofrain · 08-Дек-11 05:28 (спустя 2 дня 20 часов, ред. 08-Дек-11 05:28)

Darkman
ну давай отпишусь. включи сейчас этот альбом. правый канал в стерео у тебя играет вообще?
нашел в сети инфомацию:
Цитата:
But what struck me at first was the audio, it is very unusual to say the least, Mrs Martin voice comes uniquely from the left channel, the bass in the center and the sax on the right, a little like an early stereo recording except for the bass in the middle, it sounds just so different to what we are use to these days. In a way it is like sitting on the front row of a small venue and having the musicians placed where your loudspeakers are which is actually very realistic and intimate.
Both voice, bass and sax are extremely well recorded, the bass is big and fat but this is Larry's sound a little like Charlie Haden.
но все-таки больше похоже на какой-то брак
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Darkman

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Darkman · 08-Дек-11 15:29 (спустя 10 часов)

xеxе...
Насчёт подобныx дел .. - пишите Издатель (лейбл): Sunnyside Records 'у))
и с ними разберайтесь...
я всего лиш релизер / рипер))
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deepofrain

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deepofrain · 08-Дек-11 21:18 (спустя 5 часов)

Darkman
так как тебе самому?
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GrBear

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GrBear · 09-Дек-11 02:27 (спустя 5 часов, ред. 09-Дек-11 02:27)

deepofrain писал(а):
нашел в сети инфомацию
Непривычна, конечно, жесткая фиксация исполнителей: певица всё время в левой части сцены (хочется голову повернуть), сакс - справа, контрабас по центру. Слушатель даже не в первом ряду находится, а где-то в районе будки суфлера.
Но ведь реально хорошо записано! Жирненько так, натурально.
PS Чуть не забыл: Darkman-у спасибо!
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Darkman

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Darkman · 09-Дек-11 03:33 (спустя 1 час 5 мин.)

Наслаждайтесь музыкой))
не на базаре ж .. - мясо или рыбу выбераем))
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tat5656

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tat5656 · 09-Дек-11 11:12 (спустя 7 часов, ред. 09-Дек-11 18:53)

Darkman
Спасибо! Насладжаюсь...
PS. а они все про "правый канал" и "жесткую фиксацию"... Ну, что им объяснять про девичье сердце ?
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plusru

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plusru · 26-Мар-13 20:48 (спустя 1 год 3 месяца)

Rebecca Martin - Twain 2013 flac ?
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Kena73

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Kena73 · 15-Июн-19 17:11 (спустя 6 лет 2 месяца)

Просьба раздать
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